洛阳易辰 发表于 2007-3-3 01:35

实话实说——我看李刚田先生篆刻

<SPAN class=bold>实话实说——我看李刚田先生篆刻</SPAN><BR><BR>
<DIV style="FONT-SIZE: 16px">作为河南人,李刚田先生是我们的骄傲,其篆刻在当代有其广泛的影响,先生治印用篆讲究,用刀遒劲挺拔,章法平中寓奇,寓巧寓拙,又中正冲和,淡而有味,独树一帜,先生的文章更是言简意赅,每每读之,收益颇深,先生为人亲和,为艺周慎,颇受书家尊重和喜爱!<BR>&nbsp; &nbsp; 欣闻先生60大寿出《李刚田篆刻精选》,并有兴拜读,作为我一直崇拜和尊重的篆刻家之一,这次却怎么也找不到那种让我诚惶诚恐的敬仰了,或许从这几年国展作品中已经对先生的印开始有些看法了!本当祝贺,却在这里说其不是,实在罪过,但人言六十耳顺,我想先生是不会对我的胡言当回事的!<BR>&nbsp; &nbsp; 试看一些先生的作品(作品引用“书法网”)
<P align=left><IMG onmousewheel="return imgzoom(this);" onmouseover="if(this.width>screen.width*0.7) {this.resized=true; this.width=screen.width*0.7; this.style.cursor=&#39;hand&#39;; this.alt=&#39;Click here to open new window\nCTRL+Mouse wheel to zoom in/out&#39;;}" onclick="if(!this.resized) {return true;} else {window.open(&#39;http://album.sina.com.cn/pic/4af60a0202000lks&#39;);}" alt="" src="http://album.sina.com.cn/pic/4af60a0202000lks" onload="if(this.width>screen.width*0.7) {this.resized=true; this.width=screen.width*0.7; this.alt=&#39;Click here to open new window\nCTRL+Mouse wheel to zoom in/out&#39;;}" border=0></P>
<P align=left>“依旧能狂”一印,不但没能狂起来,反而拘谨了许多,左右两排文字割裂,“能”字配篆在一印中犹显突兀;四字大小虽一任自然,但无所呼应顾盼,缺乏和气;用刀单薄,缺乏厚重, 又极缺乏笔意……&nbsp;&nbsp;总之是极具失败的一方印!</P>
<P align=left><IMG onmousewheel="return imgzoom(this);" onmouseover="if(this.width>screen.width*0.7) {this.resized=true; this.width=screen.width*0.7; this.style.cursor=&#39;hand&#39;; this.alt=&#39;Click here to open new window\nCTRL+Mouse wheel to zoom in/out&#39;;}" onclick="if(!this.resized) {return true;} else {window.open(&#39;http://album.sina.com.cn/pic/4af60a0202000lkt&#39;);}" alt="" src="http://album.sina.com.cn/pic/4af60a0202000lkt" onload="if(this.width>screen.width*0.7) {this.resized=true; this.width=screen.width*0.7; this.alt=&#39;Click here to open new window\nCTRL+Mouse wheel to zoom in/out&#39;;}" border=0></P>
<P align=left>“用之不既”一印,十字界格太突兀用刀太实,“之”字用刀平板无韵味,线条单薄缺乏韧性,与其他三字相较其斜线实而突兀,纵观全局此印看视平淡实也平淡耶!</P>
<P align=left><IMG onmousewheel="return imgzoom(this);" onmouseover="if(this.width>screen.width*0.7) {this.resized=true; this.width=screen.width*0.7; this.style.cursor=&#39;hand&#39;; this.alt=&#39;Click here to open new window\nCTRL+Mouse wheel to zoom in/out&#39;;}" onclick="if(!this.resized) {return true;} else {window.open(&#39;http://album.sina.com.cn/pic/4af60a0202000lku&#39;);}" alt="" src="http://album.sina.com.cn/pic/4af60a0202000lku" onload="if(this.width>screen.width*0.7) {this.resized=true; this.width=screen.width*0.7; this.alt=&#39;Click here to open new window\nCTRL+Mouse wheel to zoom in/out&#39;;}" border=0></P>
<P align=left>“仁者寿”的风格成为刚田先生现在惯用的基调,尤其是近年来的多字印!此印似邓散木遗风,尤其在边栏的处理,未能脱其窠臼,用刀转折处板硬毫无韵味,见刀不见笔,只有行刀而无起至,犹如冬天房檐的冰激凌,一敲即碎,尤其是“者”字之横划与转折处尤甚,毫无美感,与其追求之中正冲和相去深远矣!</P>
<P align=left><IMG onmousewheel="return imgzoom(this);" onmouseover="if(this.width>screen.width*0.7) {this.resized=true; this.width=screen.width*0.7; this.style.cursor=&#39;hand&#39;; this.alt=&#39;Click here to open new window\nCTRL+Mouse wheel to zoom in/out&#39;;}" onclick="if(!this.resized) {return true;} else {window.open(&#39;http://album.sina.com.cn/pic/4af60a0202000lkv&#39;);}" alt="" src="http://album.sina.com.cn/pic/4af60a0202000lkv" onload="if(this.width>screen.width*0.7) {this.resized=true; this.width=screen.width*0.7; this.alt=&#39;Click here to open new window\nCTRL+Mouse wheel to zoom in/out&#39;;}" border=0></P>
<P align=left>先生早期的风格如这方印,还有可玩味处,线条结实挺拔,然遒劲有余醇厚不足,犹如空竹;细看,四字一团和气,素、心、独三字向左倾斜,三处曲笔呼应自然,“处”字势向右取势,静中寓动,线条衔接转折处有汉凿印趣味,光洁又略带生涩,然边栏残破处理不太到位,与“心”字留红缺少呼应,使整印厚重感顿无!落于平淡!</P>
<P align=left><IMG onmousewheel="return imgzoom(this);" onmouseover="if(this.width>screen.width*0.7) {this.resized=true; this.width=screen.width*0.7; this.style.cursor=&#39;hand&#39;; this.alt=&#39;Click here to open new window\nCTRL+Mouse wheel to zoom in/out&#39;;}" onclick="if(!this.resized) {return true;} else {window.open(&#39;http://album.sina.com.cn/pic/4af60a0202000lkw&#39;);}" alt="" src="http://album.sina.com.cn/pic/4af60a0202000lkw" onload="if(this.width>screen.width*0.7) {this.resized=true; this.width=screen.width*0.7; this.alt=&#39;Click here to open new window\nCTRL+Mouse wheel to zoom in/out&#39;;}" border=0></P>
<P align=left>我比较喜欢先生的这一类作品,线条介于让之与牧甫之间,见刀见笔,爽利而又力透纸背,静中寓动,干净利落,不拖泥带水,沉着痛快,一气呵成,见醇见厚见趣味,笔画连接处笔断意连,分朱布白一任自然,没有刻意安排,字型取隶意,简洁明快,有窗明几净之境!当然,刚田先生的这类作品也占了不少,我想这才是我所认识的刚田先生!</P>&nbsp; &nbsp; 顺便一提,刚田先生的边款还有所欠缺,与同样善于取法文字的赵之谦相比,可谓相形见拙!<BR><IMG onmousewheel="return imgzoom(this);" onmouseover="if(this.width>screen.width*0.7) {this.resized=true; this.width=screen.width*0.7; this.style.cursor=&#39;hand&#39;; this.alt=&#39;Click here to open new window\nCTRL+Mouse wheel to zoom in/out&#39;;}" onclick="if(!this.resized) {return true;} else {window.open(&#39;http://album.sina.com.cn/pic/4af60a0202000lkx&#39;);}" alt="" src="http://album.sina.com.cn/pic/4af60a0202000lkx" onload="if(this.width>screen.width*0.7) {this.resized=true; this.width=screen.width*0.7; this.alt=&#39;Click here to open new window\nCTRL+Mouse wheel to zoom in/out&#39;;}" border=0><BR>此印有散木遗风,并与散木翁一样存在过多的安排,有失大度,两字一字穿插一字挪让,一合一开,让上下拼凑而成,如此而已!长短线条的排列让人眼花缭,为何?曰:没有主次,没有节奏,变化不够!长短线条的排列是为了化零为整,在这里反而更凌乱了!我想一定是李老师沉浸在摆弄文字造型上了!因为几乎每方印刚田先生对文字的处理都让我处处留心,痕迹太明显就不免顾小失大了!勉强为之,可不为!乃师自然!<BR><IMG onmousewheel="return imgzoom(this);" onmouseover="if(this.width>screen.width*0.7) {this.resized=true; this.width=screen.width*0.7; this.style.cursor=&#39;hand&#39;; this.alt=&#39;Click here to open new window\nCTRL+Mouse wheel to zoom in/out&#39;;}" onclick="if(!this.resized) {return true;} else {window.open(&#39;http://album.sina.com.cn/pic/4af60a0202000ll3&#39;);}" alt="" src="http://album.sina.com.cn/pic/4af60a0202000ll3" onload="if(this.width>screen.width*0.7) {this.resized=true; this.width=screen.width*0.7; this.alt=&#39;Click here to open new window\nCTRL+Mouse wheel to zoom in/out&#39;;}" border=0><BR>此印线条大大改观,汉印格局,十字留红、宽边,“犹昔”二字向右出势,用刀配篆大气开张,浑厚凝重而生涩,整体几处留红呼应顾盼恰到好处,不足之处乃“倔强”二字太正,破坏了整体的气势,“倔”字太右下太局促,有下坠感、不稳,但尚能与“犹”字右部、“昔”字上部、“强”字左部斜(曲)笔相呼应,“强”字左右游离,几处曲笔与其他三字的方笔欠统一,用刀也欠统一,末笔的一横向右上出势犹为败笔! <BR><BR><BR>此处以下省略(<FONT color=red>阅读文章全部请点击洛阳易辰的博客</FONT><A href="http://blog.sina.com.cn/m/luoyangyichen" target=_blank><FONT color=red>http://blog.sina.com.cn/m/luoyangyichen</FONT></A>文章出处)<BR><BR><BR><BR>&nbsp; &nbsp; 当然真正的大家是着眼于大局而不拘于一笔一划的,只有我辈在钻牛角尖,不知对耶错耶!综上所述,刚田先生的篆刻虽然对当代产生了重要影响,但其成就远没有舆论评价的那么高!盲目的崇拜会让我们失去辨别的能力,与其追宠人云也云到不如提高创作鉴别能力,无论烟花多么缤纷缭绕,也能分辨是非!<BR>&nbsp; &nbsp; 以上对刚田先生的印提出一点意见,还请大家指正!期待和大家交流!</DIV>

古韵轩 发表于 2007-3-4 13:37

好贴!强贴!敢如此评价李刚田先生的印,估计天下不出十人啊!不过楼主老兄的评点倒是一语中的,针针见血.历害!佩服!

mumu 发表于 2007-3-6 13:17

欣赏了

二胡合奏 发表于 2007-3-7 09:45

<IMG src="http://www.cnssscp.com/bbs/images/Emotions/18.gif">

龙锦营 发表于 2007-3-7 16:17

楼主是牛哥啊!!!<IMG src="http://www.cnssscp.com/bbs/images/Emotions/18.gif">

wsml 发表于 2007-3-9 16:14

<IMG src="http://www.cnssscp.com/bbs/images/Emotions/18.gif"><IMG src="http://www.cnssscp.com/bbs/images/Emotions/10.gif">

道可道 发表于 2007-4-11 10:00

高人啊

石头堆儿 发表于 2008-3-15 13:50

顶一下
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